Independent

For Supply, a Portland startup, I developed the product architecture, wireframes, and prototypes for Keep, its companion product for first-time homeowners; ran moderated user-testing sessions against the prototype; and delivered the product plan for a responsive SaaS application with a native-app counterpart.

With the agency HERENOW, I designed Keynote presentation systems used in Nike client and partnership work — reusable, on-brand templates built for teams that assemble high-stakes decks under deadline. The work itself stays confidential, which is part of the job.

Identity work has continued alongside product roles. The longest-lived is the Portland Gay Men's Chorus — a circular monogram that made it from the page to the stage — alongside more recent logo systems for firms in the civil-engineering space (2023).

With collaborator Kathy Yom, we took an idea to the New Orleans band The Radiators: a "United Nation of Fishheads" passport their fans could buy, get stamped at every show they attended, and redeem for a prize at the end. Working with the band, we designed the whole piece — the passport, its poster, and the art and design throughout — and handled its distribution to fans as a collectible piece of memorabilia.

Earlier in my career, I did conceptual design and print production for agencies in Portland and Los Angeles — campaign and collateral work for brands including UGG, Doritos, and Mark Levinson's partnership with Lexus. Before that, I worked the production side as a desktop operator at Crush Creative, a large-format printer — putting other designers' work onto studio lots and store walls, and learning how print gets made at scale.

• 

• 

• 

•